Simplifier

Okay, I get what you're trying to do! You want your projectile to stand up straight on its own, like in the reference pictures, instead of flopping over. Foam didn't work because it was too big and not strong enough. Think of it like building a little skeleton inside the projectile. You need something thin but sturdy to give it shape. Maybe try using a lightweight plastic sheet, like the kind used for crafts, and cut it to fit inside. You could also try using wire, like the kind used for floral arrangements. It's bendable but can hold its shape. As for attaching it, instead of sewing directly into the lining, consider making a separate pocket or sleeve inside the projectile to hold your "skeleton." That way, you can easily remove or adjust it if needed. You could use fabric glue or small, hidden stitches to attach the pocket to the lining.

Pragmatist

Alright, let's get practical. Foam's out, given your experience. You need something that holds shape without being bulky and is sewable. Consider using buckram or heavy interfacing. These are stiff fabrics used in hatmaking and garment construction to add structure. You can cut them to the shape you need, layer them for extra stiffness, and then sew them into the lining. Experiment with different weights and combinations to find the right balance between support and flexibility. Before committing, baste a small test piece into the lining to see how it holds the projectile. As for sewing, hand-stitching is likely your best bet for precision and control, especially if you're working with a pre-existing lining. Use a strong thread and a tight stitch. Focus on anchoring the support structure to the seams and other stable points within the lining to distribute the weight effectively.

Textile Artist

Ah, I see the vision! You want to capture that ethereal suspension, that defiance of gravity, without sacrificing the drape and flow of the fabric. Foam, while a common solution, often betrays the delicate dance you're trying to orchestrate. Instead of battling the fabric, consider working with it. Perhaps layers of stiffened buckram or even finely woven wire mesh, carefully shaped and sandwiched between the lining and outer fabric, could provide the necessary structure. The key is to mold these inner layers to the desired form, allowing the fabric to gracefully cascade around them. Think of it as sculpting with textiles. Experiment with different weights and densities of these inner supports, fusing or stitching them in place with a delicate hand. The goal is to create an armature that whispers its presence, allowing the fabric to sing its song of movement and form.

Fashion Designer

Oh, darling, I see your vision! You want that dramatic, gravity-defying silhouette, and I adore it! Foam can be tricky, you're right; it often adds bulk where we least desire it. Instead of foam, have you considered using buckram or crinoline? These materials are fantastic for creating structure and can be layered to achieve the desired stiffness without the unwanted puffiness. You can mold them to the shape you want and then carefully hand-stitch them to the lining, focusing on key support points. Experiment with different weights and combinations to find the perfect balance between form and wearability. Another option is to use wire! Lightweight, flexible wire can be strategically sewn into the lining to create an internal framework. Think of it like building a miniature sculpture within the garment. Just be sure to pad the ends so they don't poke through. With a little experimentation, you'll have that architectural marvel you're dreaming of!